Song Huizong “strange stone poetry” leads, Taipei Forbidden City 2022 first “no sound”

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The news was informed that the end of the year, the Taipei Palace Museum used the “no-poems-Southern Song Dynasty painting” containing poetic paintings to celebrate the first exhibition. The last day of the exhibition was officially unveiled, and 33 pieces of small products such as Song Dynasty, albums and albums were exhibited, and the Song Huizong “strange stone poetry”, including Horse Yuanyuan “Spring Spring”, Feng Da “Tai Liolihe wind”, Ma Lin “Bing Candle Evening Tour” and other national treasures 12, Li Tang “Sitting on the stone”, Song Song Xue Ning “Pan Xiaofu” and other important antiquities, these small-size paintings are detailed, It is rich in poetry, and the meaning is endless.

Song Ma Yuanshan diameter spring album 册本本 (partial)

Although literature and painting is a small work in different art expressions, the sector, albums in the Southern Song Dynasty, but there are many “poetic paintings”. These small-sized paintings are detailed, rich in poetic, exhibitions with “small painting”. Poetry creation is from the son Son Songer (1037-1101) and others believe that the painting is “no poem”, poetry is “invisible painting” or “vivid painting” art trend, plus the end of the Northern Song Dynasty (1082-1135) positive Advocating the painting of poetry, more guiding the court painter ‘s ideal practice for “poetry and painting”.

The exhibition is divided into five units such as “Emperor”, “Xiaoxiao ‘s Audiobook”, “Mountain Water Volume”, “Gongyuan and Poetry”, “Flowers”. The first single “Emperor” emphasizes that the Southern Song royal family attaches importance to art, good at calligraphy, and is familiar with the poetry. The emperor is actively involved in poetry and painting, and the poetry written by the emperor is seen in the court painter.

The second unit “Xiao Siyu’s small scene” attempts to explain the South Song Dynasty Painting Painting by the Fantasy Picture, to create a poetic atmosphere, and its artistic performance will continue to develop the Northern Song Dynasty “small scene” painting, and transform.

The third unit “landscape” leads the audience to appreciate the painting of mountain water. In the Southern Song Dynasty, the landscape painted by Jiangnan Jingzhi, which was drawn from the south of the West Lake, impact on the artistic technique of “Xiaoxiang Eight View” in the Northern Song Dynasty. These small landscapes are integrated into four time, and bring out the poetic feelings of nature. This unit is also in accordance with the “San Shi Cloud”, “Panning Traction Par”, indicating the “no sound poem”, “sound painting”, and the impact of painting creation.

The fourth unit “Miyuan and Poetry” showed that the intersection of the Song Hongyuan Mountain and the poetry is overlapping each other, and the royal family brought the beautiful romantic feelings of the court with the painting of the poetry.

The fifth unit “The Flowers” reflects the art presence of the Southern Song Flower painting in the intertwined flowers, fire, and flowers, etc.

Emperor

In the Song Dynasty, he attached great importance to the emperor’s art civil society and Hano. The emperor of the Southern Song is almost replaced by the book, and it is very calligraphy. The emperor is familiar with the famous poems and temples, but he is not only given to the minister. The court painting works also see the emperor’s title, the royal family actively participates in the art orientation of poetry integration.

Song Huizong “strange stone poetry”

Interpretation:

It is difficult to win the loss. High and low 崒屼鬪. Doubt will move. Often the thrill of the throne. □ Crack a few layers of clam (氵氵). Condensing four old casings. The famous three products are not beautiful. Drink feathers have made strong.

Song Huizong (1082-1135) Zhao Wei, Song Shen Zong’s eleven sons, brother Zonglong unlicit, thus successfully landing, became the eighth emperor in the Song Dynasty. At the time of position, the Northern Song Dynasty Painted Paintings were dominated. According to the legendary rice (1051-1107) quartz, people called “rice epilepsy”; Song Huizong is a poem with his emperor, and is a criminal poetry, the body is in love, and the world is rare.

“石诗” This post point painted a pen, the pen and the traces of the brush tetles, the junction is very elegant, the chapter is fresh and natural, and the main points and characteristics of “thin gold book” calligraphy style.

Song Gaozong Shu Qi Qi Poetry

Song Gaozong (1107-1187), 涿郡人, example, Chardeki, Huiqin two for the golden people, to Jiankang, is the Southern Song. Gao Zong Xue is rich, and the calligraphy is good, and there is “Han Yumi”.

This unit is in the Tang Dynasty Du Fu “Message” in the Tang Dynasty. Keep the center of the center with the pen, the shoulder is more round, the hook and the reverse pen are slightly sharp, the pen is not ill, and the end is uniform. Gao Zong calligraphy learned Huang Tingjian in the early years, and then transit the second king. The Song Dynasty book is advocating interest, change the Jin, Tang Dynasty, Yan Shu Feng, and Gao Zong return to the tradition.

Song’s non-paragrant window sleeping album

In the picture, the light wind blew over the water, the willow tree welcomes the wind; mooring in the fishing boat next to the waterfront, there is a fishing father wearing white, just sleeping, stretching the waist arm, facing the endless water, quite a long tour. Although the paintings, the right side of the frame is the first emperor of the South Song Dynasty (1107-1187), the first emperor (1107-1187) is a “fishing father”.

Song’s non-paragrant window sleeping album 册本 (partial)

The “fishing father” theme is often “fishing” in painting. The emperor is the respect of the country, but envy the love of the fish, there is no worries, implies the pursuit of indifferent, and travels to life. The emperor wrote “fishing father’s words” on the “fishing father map”, and the literature recorded the five generations of Nan Dynasty, the next master (937-978), the precedent of the “Spring River Fishing”, and the inheritance of this type of poem.

Song Ma Yuanshan diameter spring album

Nearby a big girl with lacquer yarn, walking in the flowers of the willow. The “Ma Yuan” in the left and left, Ma Yuan is the South Song Dynasty (1190-1194 in place), Ning Zong (1194-1224 in place) toward the court painter. The top right of the poem “Touch the wild flower and self-dance, avoiding people’s birds,” from the inscription book, should be written in Ningzong. The title poem transforms the Northern Song Dynasty (1032-1085) “Spring Day Episode”, describing the natural Chinese and quiet wild flowers, because the scribes go into the dynamics, the branches are also flying. The picture is correspondingly designed, focus is concentrated, the medium-sight distance is unbearable, the vision number is close to the left. The Gao Shi has extended to the virtual earth, and the viewer is guided to the emperor’s poem and behind the poetry. The full-scale pen ink is extremely fine.

Xiao sprinkled a small scene

Southern Song Song poetic mountains are good for creating a fans of the picture, and this kind of expression is inherited to translate from the Northern Song Dynasty “small scene” painting. The Northern Song Dynasty praised the famous Water Painting, and the “Xiaoshan” painting of the Northern Song Dynasty, the “small scene” painted, with Xiao Shuqing’s characteristics. Northern Song Dynasty Hui Chong “small scene” draws Tingyu water poultry as the subject, using a long pattern, providing the lyrical space of the viewer’s thoughts.

Chuan Song Hui Chong Hanlin Birds Map

The Northern Song Dynasty has a monk Huixo (about the first half of the 11th century), which is a Yang people in Fujian, good at poetry and painting. Poetry is respected by Ouyang Xiu (1007-1072). His painting is based on the theme of the Goose, and the coldness is a composition. Although Huixiang has been circulating to date, many passing works still see the end of the Northern Song Dynasty, most of Tingyu water poultry theme painting showed a scene of the water fans, and the influence of Hui Wok’s “small scene”. This “cold forest” is the old question of Hu Chong, and is a representative of this type of theme.

Song no article album

Painted characters in the middle of the pain, the poems, the poetry, the next table, the rattles, the chess, the scroll, tea stove, potted flowers and drinks, is the Song Dynasty scribes for the chess, painting, painting, some tea, etc. Hobby ancient photo.

After the ribia, the screen is hung, and the foreground character is as similar to the Buddha. Picture of a picture of the tread on the water. On the work of the Song Huizong (1082-1135) Yumu’s collections, “political and government”, as well as Song Gaozong (1107-1187) Yufu collects “卦”, “Shaoxing”, showing the situation of South China Song Dynasty The inheritance of the artistic fashion.

Chuan Song Zhao Lingzi orange orange green album

Song Zhao Lingzi Orange orange green album 册本 (partial)

Book, the frame is originally a fan, and then the enclosure will be installed. The book is written by Gao Zongwu (1037-1101) Yuanyou Five Years (1090) “Give Liu Jingwen Poem”. The elegant green-green tank depicts the scenes of orange orange, there is still a habitat in the sand, and there is a habitat. The whole painting is slightly fascinated by the smoke forest wild coast composition, combined with Tingyu water poultry theme, is the “small scene” pattern of changing Hu Chong (the first half of the 11th century), showing “a year of the benefits Jun must remember, It is an orange orange-green “verse.

Although the old sign on the right of the album is lamelore the author as the Northern Song Dynasty.

Landscape

Southern Song Dubei Hangzhou Shengjing “West Lake Ten Scenery” and other small landscape creations, integrated into four o’clock, stunning, deep features. This type of painting is deeply influenced by the artistic technique of “Xiaoxiang Eight View” since the Northern Song Dynasty. This unit has a “no poetry / audio painting” in the special district, and the two works of “sitting on the stone” and “Pan Xiaqian traction stick” are shown that the Northern Song Dynasty Su Shi and others believe that the painting is “no sound”, poetry is “invisible painting” “Or” Sound Painting “concept of poetry and paintings.

Song people Xi Shan Ekimae

The Song people “Xi Mountain, the snow” painting is close to the river, the bamboo is half hidden by the bamboo. Zhixi Zhongjing Mei is covered in the cloud smoke, the birds in the stream are water, and it is blurred. Vision of the Victorus, the hills of the forest. Silhouette seems to be far away from the twilight, and it is unclear. The painter is no longer possible, but from the style of see, it should be an early years of the Southern Song Dynasty.

In the Song Di (about 1015-1080), there is a scene of “Jiang Tian Xuexue” in “湘八”, this snow scene is deliberately handled against the sun, and inherits such a topic and incorporates a small lascape. It is extremely vivid.

Song Ye Shaoxi West Lake Ten View (1) Album Tinbook

Song Ye Shaoxi West Lake Ten View (2) album 页本

Song Ye Shaoxi West Lake Ten View (3) Album Tinbook

Song Ye Shaoxi West Lake Ten View (4) Album Tinbook

Song Ye Shaoxi West Lake Ten View (5) Album

Song Ye Shaoxi West Lake Ten View (6) Album

Song Ye Shaoxi West Lake Ten View (7) Album

Song Ye Shaoxi West Lake Ten View (8) Album

Song Ye Shaoxi West Lake Ten View (Nine) Album Tinbook

Song Ye Shaoxi West Lake Ten View (Ten) Album Tinbook

The tenth opening of this book has two words in the left of the left. Ye Shaoxi is very small in the third half of the third half of the thirteenth century, and there is little way to the world. The combination of “West Lake Ten View” in the Southern Song Dynasty saw the thirteenth century literature, and the topic is prevailed in Southern Song. The ten scenic, including “Su Dynasty”, “Liu Yang Wenyu”, “Flower Port Guanfish”, “Two Peaks Insert”, “Leifeng Xi Zhao”, “Sanshu Yue”, “Pinghu Autumn”, “Pinghu Autumn”, “” The South Screen Night Bell “,” Broken Bridge Snow “, the drawing corresponds to different views of the beautiful scenery in the middle of the morning. This type of practice draws a famous real scene and fused in the four seasons, and the performance of the poem is from the Northern Song Dynasty “Xiaoxiang Eight Scenery”, and the Sadman has developed a deep-mounted city Hangzhou characteristic landscape painting.

Song’s non-style flat lake snow album

“Pinghu Snow”, this painting is not worthless, the picture of the sign is “Pinghu Snow”. The figures are tiered by the noodles, and the style is close to the Southern Song Xia Wei (the event before and after 1180-1230). “Pinghu” means a quiet lake water, which presents a small lake in the vast lake, is a common type of Southern Songshan water painting, which is likely to be a part of the grass. Painting in the slope, the bashings, the bamboo house is hidden in the grove, the snow is covered, the rain and snow stops and the weather is clear, bring out the quiet scene of the natural corner.

Song Li Tang sits on the stone view cloud album

Li Tang (about 1070-1150) is a famous landscape in the south and sin so many mountains, the “Wan Yansong Pixabay” in the end of the Northern Song Dynasty, and the laminated mountains, ax watches and deep shallow green halo lasclamous rocks, showing the pine forestry The mountains in the mountains.

This painting is not worthless, the old signing is Li Tang, a South Song, who has Li Tang painting. Two goddings in the paintings went to the poor, sitting on the stone and appreciate the clouds of the clouds. The deep forestry Spring waterfall has sound, the Qing Cuisian tree is around, and the fog fog is full of fog. Two high prices next to Xiwu are full of enthusiasm, and they are pleasant to pleasure. It can be seen that this work can experience the artistic conception of the Tang Dynasty poet Wang Wei (699-761) “Terminal University” poetry “to the water poetry, sitting in the cloud!”

Chuan Song Xue Ning Panasonic Traction Album

The “Panasonic Traction Par” has the left “Dao Ning” model, and the old signing is the Northern Song Dang Ning (about 11th century), but from the influence of Liu Song’s character (the event in the end of the 12th century), ” Southern Song Dynasty works.

Painting in the lake, the shade of the lake, the scribe of the stappells, from the tract, is stationed in the footsteps of Song Yun Tianzhu, Wen Jing’s towel hat, and the wind blows slightly. Such a flat painting attempt to present a poem involving “listening to the pine”, which is quite challenging in the South Song painter. The original Northern Song Song Su Shi (1037-1101) is concerned about the integration of painting and poetry art, the pain is “no poetry”, poem “invisible painting” or “sound painting”, the painting of the Southern Song Dynasty can be seen to create “sound” painting New novel.

Gongyuan and poetic

The South Song Dynasty Garden is full of poetry, and the Miyuan Architecture is named using poetry memory, and the famous verse is deliberately creating elegant and romantic. The royal court activities also pursued the temptations in poetry, taking this kind of artistic conception. The handedthal painting showing the moment and eternal of the scenery of the Garden.

Song Feng Datong Mother-Boket 册本

Song Feng Datong Tai Li-Yubi Album 册本 (partial)

Song Feng Datong Too Lioli Your Album 册本 (local) to the aquary of the book: the palace is too liquid to see Cangbo, the summer is more likely. The autumn wind is on the autumn wind, and the dew is full of pool.

Song Zhao Lingzi Orange orange green album 册本 (partial)

The painting is not worthless, the old signing is Feng Das (activity in the 12th century), Jiangsu Suzhou. From the Yi Zhai, the official is from the man.

The signing “Taixi Dustan” comes from the bookplace, the frame is compatible. The book is written in the Tang Dynasty (? -835) “Autumn” poems for the Song Gaozong Question. The frame is full of Tanghe leaf, the upper swallow, butterfly dance, the group of ducks can eat, red, white lotus beauty, some petals fall in the water, echoing the tempering of the poetry. “Wulin’s old things” Dai Song’s ban on the summer, the summer, the lower pool, the pool is red, the white lotus is hit, and the sequel is divided into the water, and when it is beautiful. Draw a lotus red white phase, showing the beauty of the South Song Dynasty. “Autumn” poetry, among the “Mathematical” language “Historical Records” Han Wudi (the first 156-Xiyuan 87) Taicide pool, the last generation of the palace garden pond. According to the Nan Song Xiaozong (1127-1194), the pool is red, white lotus, with a tile basin, seizures the underwater, and when it is beautiful. Draw a lotus red white phase, showing the beauty of the South Song Dynasty.

Song Ma Lin Bing Candle Evening Tour Album

“Bing Candle Night Tour” fill the right lower right “Chen Ma Lin”. Ma Lin (approximately 1180-1256) is the event in Ningzong and the court painter.

The hexagonal 亭阁阁阁造优优优造造造造造造造造造造The protagonist is sitting in a circle chair, appreciates the garden flower tree, the garden is erected, and the top of the moon is in the moon. Painting the Northern Songer (1037-1101) “Haishu” poem “is only sleepy, so the burning is high. The artistic conception of candles. Southern Song Dynasty, the fire is prevailed, “Wulin Old things” is contained in the disabling of the Hairyi location as “makeup booth”, and it can be found that the Huangcheng Gongyuan nams to pick Su Shi’s poem. This figure shows the romantic feelings of the royal night.

Song Li Yuyue Night Tangchao Album

Song Li Yuyue night to see the tide album 册本 (partial)

In the Southam Song Dutheng, Hangzhou, near Lin Qiantang River, Mid-Autumn Festival View Jiang Chao is the victory of the day. In the painting of the buildings, the two-story loft of the Singles of the Sales, stands in the river, and has high platforms and twists and turns. The characters in the event were originally drawn into pieces, but unfortunately, it was not obvious because of the era.

After painting Ningzong (1195-1224 in place) Yang Queen (1162-1233) questions Write Su Shi (1037-1101) “August 15th Too” verse, and “Kun” is printed. The lower left is “Chen Li Wei”. Li Wei is a court painter event in Guangzong, Ningzong, and Tong Dynasty (1190 – 1264), especially good at Thaige.

Jewelry

Southern Song Dynasty, Flower, Flowers, Flowers and other activities prevail, continued the trend of the Northern Song Dynasty and the literati, the painters also have the ability to describe the object, and the flowers appearance and business.

Song Ai Xuanxuan’s poppy album

Song Yi Xuanxuan’s poppy album 册册 (partial)

Ai Xuan, Jinling (now Nanjing) people. Hui Hua Mao, the passage of the handed down. Poppy flower color, flowers in summer. This figure fines, the leaves, flowers and color, and thick and thick.

In the case of Ning Zong (1195-1224 in place) Yang Queen (1162-1233) question poems, “The Royal Book” is printed, and the character of Yang Queen is turned into a full-time book. The “Changchun Temple” is the name of the Temple of the Northern Song Dynasty, and the Song Song Zhao, the “Dynasty”, the name of the Temple, also mentioned that “the feast of the Temple of the Spring Festival”, and there is also this temple in the Southern Song Dynasty. The poems of the works, the poems are in full bloom, and the poppies, emphasizes the royal Ruiqi; the drawing is a bright and poppy of the yang.

Song Lin Yao orange orange green album

“Orange” is like a flower, in the Southern Song Dynasty, the Taken Object, and Zhou Mi “Wulin Old Think” recovered in “Qingyan Temple Darfight. Orange”. Since the Southern Song Dynasty since Gaozong, the poems of the Northern Song Dynasty, Su Shi (1137-1101), and the poems of people are widely loved and attached. .

The left left edge of “Lin Ying” is a book. The small fan is painted by the leaves of the left side, the white orange orange, orange fruit is stained with color points, and the color point is a few golden moisturizes, orange fruit uses a deep-shallow green ink point, superb sketch technique Bring the poetry of Dongpo.