Xu Wei (1521-1593), Han nationality, Shaoxing Mansion Shanyin (now Shaoxing, Zhejiang). In the first word Wen Qing, the word was changed, and the number of people in the Tianchi Mountain, or the Tianchi Mountain, Tian Shuiyue, Tian Danshui, Old Avo, Akiho Taoist, Akiho Hostel, Tianchi Yuyin, Jinshan Mountain, Mountains, Mountains, Mountains, Mountains, Mountains Yin cloth coat, Baishan people, goosei mountainson and other nicknames. Ming Dynasty writers, calligraphy and painters.
Xu Wei’s calligraphy and the dull atmosphere of the early Ming Dynasty book are particularly prominent. He is best at the magnificent grass, but it is difficult for ordinary people to understand and use the pen, but he likes his calligraphy, and he thinks “the first call for calligraphy. , Poetry Second, Text Third, Painting Fourth. “
Xu Wei surpassed the times, opened and led the style of “Shangzheng” in the late Ming Dynasty, and led the Ming Dynasty calligraphy to a new peak. Tao Wangling once said that his calligraphy was “known as a strangeness, which is called Ming.” Yuan Hongdao said: “You can’t book, and the fallacy is on the Wang Yiyi and Wen Zhengzhong. Regardless of the calligraphy of the calligraphy, the gentleman’s eight laws are scattered, the word Lin Zhike!” (” Xu Weiji Four-Appendix “” Xu Wen Long Biography “).
The emergence of Xu Wei’s calligraphy and calligraphy concept is consistent with the great changes in the entire thoughts, culture, and aesthetic concepts of the Ming and middle periods. The calligraphy of Qi Wei also started from the rebellion of the Tang Fa school in the Wumen Shu faction, and then absorbed the positive factors of the Northern Song Dynasty Soviet Union, yellow, and rice pursuing artistic personalization. Xu Wei’s aesthetic spirit of “always showing his own intention” in “Book Ji Ziwei’s Tibetan Book of Lan Ting”. His original words are: “Non -special characters, there are things in the world, all copying straight ears, baht and comparison, coincide, how can I really do it? Those who have already written are called masters. Reading Zeben, although you ca n’t know what it is, he has peeking at his exposure, and he must be a master. You Meng is like Sun Shoao, how can it be like his eyebrows? Everyone’s spirit is just stubborn.
If Xu Wei’s script has changed the traditional brushwork with “your own intention”, then the biggest change is the cursive cursive script of the high -headed and large shafts. In the past, “Dong Qichang destroyed the method of ink”, and here he said “Xu Wei destroyed the pen.” In the calligraphy of the calligraphy from the essay of the calligraphy, Xu Wei turned to the hall to show the aesthetic change, and realized the transformation of the brushwork in the creation of the work. “Core Yong Sword Cao Shu” and “Axis of the Book of Yongku ink” are their masterpieces. Xu Wei, a way of drawing painting, is a creative destruction of Jin Tang’s brushwork. For changes in the artistic tendency of calligraphy art.
Xu Wei “Self -Book Poems” volume
, Paper, 1 regular script, 12 cursive script, each opening of 27.2cm, 32.8cm horizontal. This volume is Xu Weishu’s self -made postscript and poetry. The author was 47 years old (in the middle of prison). Earlier, he killed his wife due to madness and was in prison for 7 years and wrote this book in prison. This book is composed of two parts. One is the post of regular script and post. The second is the nine poems of ancient books, with five -character poems and seven -character poems.
From this work, you can see the various books of Xu Wei’s calligraphy. In addition to regular script and cursive script, it also contains uncommon chapters. The first Kaishi script is opened steadily, with a close line distance, and the liberal script of skimming and strokes means heavier, and the chapters are full. Later, the cursive script was obliquely tilted on the side.
Xu Wei’s cursive script is different from Zhang Xu’s madness and madness, but also from Huang Tingjian’s meditation, but his unique “crazy” and “madness”. When writing this volume as Xu Wei’s wife killing his wife into prison, he probably used this strange pen to express the complex and exciting emotions.