The “Dream of Red Mansions” is 41, Jia Mu took Liu Wei and others came to Cuijing tea, and Miao Yu made a vast tea set for everyone. One of the paragraphs is written like this:
“I saw that Miao Yu personally held a small tea tray of Yunlong Duan Shi, put a colorful small cover bell in the kiln, holding with Jiamu.”
“Cheng Kiln” is a porcelain, which is the fire-burned porcelain, which is a small and multicolored. Can be equipped with tea trays of tea cups, naturally Naturally. Wonderful Yuji’s “Haishu Flower Carving Brilliant Yunlong Shou Xiao Tea Tray” carved with dragon grain, may be the royal reward, but also used the filler decoration, see it.
However, the luxury of the small tea tray is more than this, and its craft “carved paint” was once a prominent court art, and the mud, the floral mosaic, the lacquer, Jingtai blue, tooth carving, jade carving, Jingxii, and called “Yanjing Eight is absolutely, and the craftsmanship is in the courts and craftsmen, and the essence of all local folk crafts, and created the new peak of Chinese traditional crafts in the Qing Dynasty. After the folk, after the baptism of the years, the amazing Huamuang was re-blocked.
Audiobi, no regrets, Qianlong, also loved the carving process
“Yanjing is the end of the” Justice “, the common feature is the use of materials, and the production process is more difficult, and the equipment is exquisite, condensed the wisdom and artistic creativity of not number.
Taking a carved paint as an example. In the Qing Dynasty, the Emperor of Qing Dynasty loved to play, and he was a lot of poems related to the ancient play. In addition to word painting, jade, the most is to be a lacquer, and there are dozens of which are specializing in carving. For example, he wrote “Yong Yongli Lottery Box” praise: “Orchard Jiaulation 红, is in the cane sector Yuszhen people. No guest opening window, autumn words, carrying the child’s volley, the topic is still distinguished, the descend In order to do it. For three hundred years, this is the poor of the writing of the ambitions? “
The carving is China’s unique art. According to the literature, the Tang Dynasty has a carved paint. It has been clearly unearthed and the earliest active in the world is the work of the Song Dynasty. The Yuan Dynasty lacquer family has come to the Ming and Qing Dynasties, especially in the middle and middle-aged, and the lacquer process has timely innovation.
According to the color of the paint, the carving process has a red, tapping yellow, chronic green, black, brush, and oligant, which is the most common. The essence of the carving is “carving”. First, it is necessary to apply natural paint on the carcass of different styles, and less than eight ninety floors, up to one or two hundred layers, reach a certain thickness, and lacquer not dry Carved pattern with a trick, high for skills, extremely testing the skills of the creator, and there is no regrets “.
The patterns are generally in the ground, the pattern is riddled, this type of shallow relief, and the way to describe the effects, making the lacquerware decorate extraordinarily rich and beautiful. Plus warm and quiet colors give a low-key and distinguished temperament.
“Yamu fragrant fragrance, Xiaoxia faintly east.”
The carved paint under the Qing Dynasty poet Yuan Mei, such as a coral mighty, like Xia Guangzhi.
“Tang people poetic, five-style screen screen”. Beijing Huafang Art Center
The carver needs to be slow, and a large part of the time is spent on the paint. Generally, a layer of paint is 0.04 mm, and one hundred layers only 4 mm. After the first layer, the second layer cannot be brushed immediately, and the lacquer layer must wait for a certain degree of dry and wet. Even if you only brush 4 mm thickness, it has been three months, and the large number of carved equipment is more costs to take a year or even for several years. Due to the complex process, it is also very long, in a long history, the carving is only in the royal or expectant.
“Landscape Copper Tires Red Aromatherapy”. Beijing Huafang Art Center
Time in the treasures of the treasure
From the ultimate pursuit of delicate gold and silver jewelry and luxury hand technology, the floral inlaid technique was derived in the Ming and Qing Dynasties, using a large number of stacking, weaving, and nautical and other techniques to form a special craft style of Beijing Flora.
Floral mosaic is the most exquisite and difficult to make in a metallic process. Fli is a filament with a filament of gold and silver, and it is molded with a branch; the inlaid is to make the gold and silver flakes and make the treasure into the treasure.
Floral mosaic ornaments are generally “heavy tools”, such as the “Golden Silk Wings” in Dingling, it is the beloved that the emperor of Ming Dynasty is in the middle of the Ming Dynasty. It is only used when attendance ceremony. In the “Dream of Red Mansions”, Miss Jia Yingchun had a floral “珠 金 金”, usually hidden in the case, only on the official occasion of the August 15th Festival celebration.
Beijing pangular blanket belonging to “Yanjing Bay” is also known as the official square blanket, prospering in the Yuanzi, also the legendary luxury of the Forbidden City. Its weaving process, its raw materials, color colors, patterns also have strict requirements, reflecting a rich court style. Especially the “plate gold blanket”, woven into a background color with a gold wire, the gold wire used is a gold foil bag into the silk or cotton line, so that the uterine blanket is glorious, shining. The golden blanket weaving technique in the Republic of China has been lost. In 2003, the master of Beijing Carpet Five Factory has been striving to repeatedly analyze the cultural relics in the Forbidden Palace Museum. This technology was successfully restored in 2005.
“Sheng Shi Longfu”. Beijing Huafang Art Center
Jingtai Blue is also known as the copper tires, enamel, from Europe, prosperous in China. Jingtai blue is complex. Use a thin flat copper wire to do linear patterns in the copper tire, and then fill in the colorful enamel point, firing, grinding flat. Its appearance is delicate, bright, gorgeous, giving the artistic feelings of golden brilliant, flowering flowers.
In addition, the gold paint inlaid, jade carvings, tooth carvings in Yanjing is the ancient skill inheritance. During the Ming and Qing Dynasties, the Words and Artists and the excellent craftsmen of the courts and the sediments of different cultural fun. Centust and a big color.
Hundreds of years have passed, through the change of the times, Yanjing eight has a superb hand-craving, deep cultural connotation, through the time, withdraws the years of baptism, and accumulates the treasures in China’s intangible cultural heritage.
A knife is a moment, a needle first line, the millennium skills, the generations, blooms above the exquisite utensils.
One disc, one, one thing, beautiful, contains the Chinese civilization, and the new generation is in a long time. (Lu Wei)
Source: People’s Network